THE ROLLING TAPE https://validator.w3.org/feed/docs/rss2.html ‘The Dreamed Adventure’ Review: Valeska Grisebach Puts the Women of the Crime Genre in the Foreground Interview with ‘Sock It to Me: The Legend of George Schlatter’ (2026) Director, Chris Coronado Interview with ‘Gaslit’ (2026) Director, Katie Camosy ‘Gaslit’  Director Katie Camosy Talks Fossil Fuels, Fonda, and Her Journey Through the Gulf Summer 2026 Box Office Draft Finale & Fall/Winter Box Office Lookahead EP 212: Wildwood, Clayface & It Took 16 Years to Mold This Face Out of Clay! Plus, DCU Upcoming Project Power Rankings The Awards Tape: Best Director, Original Screenplay & Adapted Screenplay Oscar Predictions 2026-27 ft. Dean Coburn Director Chris Coronado Chats ‘Sock It to Me,’ The Story of Legendary Producer George Schlatter Good Grief: What I’ve Learned About Movies Through Love, Loss, and End-of-Life Care in 2026 ‘Elsinore’ Review: Andrew Scott Gives the Performance of a Lifetime ‘Clayface’ Tops The Box Office, But ‘You Can See Everything’ Continues to Transcend ‘Minotaur’ Review: In Andrey Zvyaginstev’s Eyes, Everything is Rotting Trailer Talk: This Week in Movie and TV Trailers Keanu’s Next Move, ‘Heat 2’ Hiccups, and ‘Alien’ Surprises: What You Missed This Week Vol 3: Four Underrated Film Performances You Should Watch Review: In ‘A Long Winter’ Grief Can Change Us Into Someone New Review: ‘Clayface’ Molds a Cracked Entry to the DCU Review: Mahershala Ali Leads Poignant Spiritual Thriller ‘Your Mother Your Mother Your Mother’ The Awards Tape: NYFF 2026 Recap & World Premieres in the Awards Race ft. Hannah Zook ‘I See Buildings Fall Like Lightning’ Review: Clio Barnard’s Timely Dissection of Social Stratification in the UK ‘Whalefall’ Review: A Thrilling Survival Tale of Gigantic Proportions ‘Wildwood’ Review: Laika’s Latest is a Landmark Moment Not Just for Animation but for Cinema at Large ‘You Can See Everything’ Surprises Audiences and the Box Office *PFF 2026* Interview with ‘Yale’ (2026) Director, Jay Silverman & Writer, Van Billet Trailer Talk: The Biggest Movie and TV Reveals of the Week   Batman Bombshells, Mummy Mania, and Hollywood Surprises: What You Missed This Week EP 211: You Can See Everything Inside This Sperm Whale’s Stomach (Whalefall & You Can See Everything) Review: Nathan Fielder’s Genius is on Full Display in ‘You Can See Everything’ Review: ‘Street Fighter’ Restores The Balance of Horrible Video Game Adaptations ‘A Statement’ Review: The Next Great “People Talking in Rooms” Film Takes on Carbon Emissions and an Impending Reagan Presidency Read Receipts: A Big Screen Book Club Presents ‘Verity’ from Colleen Hoover (2018) to Michael Showalter (2026) PFF 2026 ‘The Day She Returns’ Review: Hong Sang-soo’s Latest is a Layered, Compelling Reflection on Artists and Authenticity  Review: ‘A Man of His Time’ Explores Political Evils in a Distinct Way ‘Behemoth!’ Review: Tony Gilroy’s Big Screen Return Offers the Full Cinematic Experience Review: Sandra Wollner’s ‘Everytime’ Stretches the Bounds of Time, Space, and Grief Review: ‘Club Kid’ Feels Like All the Best Parties Four Unconventional Genre Films for Your October Watchlist ‘Carrie’ (2026) Review: You Thought High School Was Bad ‘Other Mommy’ Review: Creepy Smiles are not Enough to Save this Dumpster Fire The Awards Tape: Post-Fall Festival Best Picture Predictions 2026-27 From The Odyssey to Artificial ‘VisionQuest’ Ep 1 & 2 Review: The Beginning of the End of Wanda & Vision’s Trilogy ‘Ray Gunn’ Review: Brad Bird’s Futuristic Spy Animation For All Ages LFF 2026 CIFF 2026 Five of the Biggest Movie and TV Reveals this Week The Philadelphia Film Festival Celebrates 35 Years, Debuting 70mm Projection ‘Other Mommy’ Ushers in Halloween Season at the Box Office Bat-Patt Pauses Production and More from This Week’s News Home 2025