THE ROLLING TAPE https://validator.w3.org/feed/docs/rss2.html Writer/Director Natalie Erika James Discusses Her Latest Genre Film ‘Saccharine,’ and Her Delve Into Body Horror  Interview: Michelle Visage’s Multiple Roles on ‘RuPaul’s Drag Race’ and the Future of Queer Television Interview: Lyle Lindgren’s Love Letter to Grillz with ‘Mouth Full of Golds’ Interview: Eddie Sánchez on Tracing His Family’s Immigrant Experience in a Debut Tribeca Documentary John Early Discusses Making a Character You Can Love and Treasure in ‘Maddie’s Secret’ ‘Leviticus’ Costume Designer Zohie Castellano Breaks Down the Film’s Costumes, Symbolism, and Australian-Gothic Aesthetic Todd Downing Breaks Down the Process of Concluding a Beloved Saga with ‘Heartstopper Forever’ Filmmaker Danny Bourque Discusses Wholesome Animated Short ‘Sunspark’ Premiering at Fantasia Film Festival 2026 The Cast of ‘A Safe Distance’ Talk About Finding Yourself, Ambiguous Movie Endings, and Society’s Expectations of Women ‘It Ends’ Director Alex Ullom Discusses New Hollywood Horror Movement ‘Black Zombie’ Director Maya Annik Bedward Explores the Mythos and Origin of the Zombie ‘Kick On’ Director Nick Kozakis on ‘Evil Dead,’ Australian Filmmaking and More ‘Being Heumann’ Producers Hope to Inspire Action After Its World Premiere at TIFF ‘Gaslit’  Director Katie Camosy Talks Fossil Fuels, Fonda, and Her Journey Through the Gulf Director Chris Coronado Chats ‘Sock It to Me,’ The Story of Legendary Producer George Schlatter Interview: Cinematographer and Producer Christian Sprenger on the Nostalgic Look of ‘Widow’s Bay’ Georgia Bernstein on Blending Scammers and Caregivers into an Erotic Thriller in ‘Night Nurse’ Interview with ‘Gaslit’ (2026) Director, Katie Camosy Interview with ‘Sock It to Me: The Legend of George Schlatter’ (2026) Director, Chris Coronado The Awards Tape: 36th Gotham Award Nominations (2026), Regional Festival Round-Up (CIFF, PFF) & Best Lead Actor, Lead Actress, Supporting Actor & Supporting Actress Oscar Predictions 2026-27 Trailer Talk: ‘Dune 3’ Goes Epic, ‘Jumanji’ Gets Wild and More ‘Smile 3’ Gets A New Director, ‘1408’ Comeback Buzz, and ‘Ghost Rider’ Heats Up: What You Missed This Week  ‘Klara’ and the Dud: Taika Waititi’s Big Swing is a Big Miss ‘Mouse’ Review: An Early Aughts Coming-of-Age, Grief-Centered Feature Filled with Nostalgia & Hope for Life Beyond ‘You Can See Everything’ Achieves the Impossible and More from this Weekend’s Box Office ‘Wicker’ Examines the Chasm Between Men and Women in Modern Culture Jesse Eisenberg Closes PFF35 with ‘The Debut’ & Talks Writing for Julianne Moore at the Center of His Absurdist Musical Comedy FYC Board EP 213: Fjord, Possible Love & Thou Shalt Not Judge Families Under Observation From Norway to South Korea ‘Clarissa’ Review: An Adaptation Reimagined with an All-Black Cast Finds Success in Highlighting Classic Themes in the Black Diaspora ‘The Dreamed Adventure’ Review: Valeska Grisebach Puts the Women of the Crime Genre in the Foreground Summer 2026 Box Office Draft Finale & Fall/Winter Box Office Lookahead EP 212: Wildwood, Clayface & It Took 16 Years to Mold This Face Out of Clay! Plus, DCU Upcoming Project Power Rankings The Awards Tape: Best Director, Original Screenplay & Adapted Screenplay Oscar Predictions 2026-27 ft. Dean Coburn Good Grief: What I’ve Learned About Movies Through Love, Loss, and End-of-Life Care in 2026 ‘Elsinore’ Review: Andrew Scott Gives the Performance of a Lifetime ‘Clayface’ Tops The Box Office, But ‘You Can See Everything’ Continues to Transcend ‘Minotaur’ Review: In Andrey Zvyaginstev’s Eyes, Everything is Rotting Trailer Talk: This Week in Movie and TV Trailers Keanu’s Next Move, ‘Heat 2’ Hiccups, and ‘Alien’ Surprises: What You Missed This Week Vol 3: Four Underrated Film Performances You Should Watch Review: In ‘A Long Winter’ Grief Can Change Us Into Someone New Review: ‘Clayface’ Molds a Cracked Entry to the DCU Review: Mahershala Ali Leads Poignant Spiritual Thriller ‘Your Mother Your Mother Your Mother’ The Awards Tape: NYFF 2026 Recap & World Premieres in the Awards Race ft. Hannah Zook ‘I See Buildings Fall Like Lightning’ Review: Clio Barnard’s Timely Dissection of Social Stratification in the UK ‘Whalefall’ Review: A Thrilling Survival Tale of Gigantic Proportions ‘Wildwood’ Review: Laika’s Latest is a Landmark Moment Not Just for Animation but for Cinema at Large ‘You Can See Everything’ Surprises Audiences and the Box Office Home 2025