THE ROLLING TAPE https://validator.w3.org/feed/docs/rss2.html Home 2025 NEON’s Palme d’Or Streak Extends to Seven with ‘Fjord’ at the 79th Cannes Film Festival Awards Ceremony EP 187: The Devil Wears Prada 2 (2026), The Career of Anne Hathaway & Tier Ranking Legacy Sequels Most Anticipated Titles out of Cannes 2026 Live from Cannes: 79th Cannes Film Festival Preview 2026 Cannes Film Festival Competition Awards Predictions The Awards Tape: Television in 2026 & Early Emmy Predictions ‘Top Gun’ and Tom Cruise’s 40-Year Battle to Save Cinema Review: ‘The Mandalorian and Grogu’ is Star Wars’ Not-So-Triumphant Return to the Big Screen The Unmatched Buddy Road Trip: Cannes Celebrates 35 Years of ‘Thelma & Louise’ Hollywood’s Sequel Safety Net: Are Studios Too Afraid to Bet on Originals? Review: ‘All of a Sudden’ Uses Mutual Care as a Blueprint for Breaking the Cycles of Capitalism *MOUNTAINFILM FESTIVAL* Interview With ‘Paper Town’ Director, Jeremy Seifert Writer/Director Natalie Erika James Discusses Her Latest Genre Film ‘Saccharine,’ and Her Delve Into Body Horror  Cannes 2026 “Do You Want to Talk to Her?” How ‘Obsession’ Effortlessly Handles Male Entitlement and Consent 9 Smart, Dynamic Films for Gemini Season Review: Aleshea Harris’ Directorial Debut ‘Is God Is’ Declares Black Women Deserve More Opportunities in Hollywood Review: ‘Late Fame’ is an Honest Look at Art and Criticism Culture *CANNES 2026* Interview With ‘Ceniza en la Boca (Ashes)’ Actresses, Adriana Paz & Anna Díaz ‘Black Burns Fast’ Review: A Feel-Good Black Sapphic Rom-Com That Should Be On Everyone’s Radar RETRO//RANKED: Star Wars (11-12): Solo & The Rise of Skywalker Diego Luna’s ‘Ceniza en la Boca’ is a Quietly Devastating Rumination on Kinship, Maternal Relationships, and Generational Trauma ‘The Punisher: One Last Kill’ Review: A Soft Relaunch of MCU’s Most Questionable Anti-Hero Feels Stagnant Rather Than Special *CANNES 2026* Interview With ‘Le Triangle d’or (Golden Triangle)’ Director, Hélène Rosselet-Ruiz Review: ‘Power Ballad’ Strikes an Emotional Cord The High Ground of Star Wars: The Movies Most Worth a Revisit or a First Watch RETRO//RANKED: Star Wars (9-10): Rogue One & The Last Jedi The Rolling Remote: Euphoria (S3, Episodes 1-4) ‘The Sheep Detectives’ Review: Pull the Wool From Your Eyes with a Stirring Whodunnit EP 189: Obsession, YouTuber To Feature Filmmaker Pipeline & Blind Ranking Cursed Movie Objects EP 188: The Sheep Detectives, The State of Amazon MGM & Guess The Murder Mystery Mini-Game Review: Netflix’s ‘Remarkably Bright Creatures’ is the Warm, Eight-Armed Hug We Need Right Now ‘The Devil Wears Prada 2’ Review: How 20 Years Have Brought Modern Dilemmas to Runway Magazine Interview With ‘Euphoria’ (Season 3) Editing Team, Nikola Boyanov, Aaron I. Butler, Aleshka Ferrero & Julio C. Perez IV ‘In Waves’ Review: Phuong Mai Nguyen Showcases the Pockets of Happiness in the Darkest of Days Review: ‘Carolina Caroline’ Is a Con That Doesn’t Work Peeling Back The Layers of What Exactly Shrek’s Legacy Is 25 Years Later ‘The Sun Never Sets’ Review: Joe Swanberg is All Grown Up ‘Animal Farm’ Review: MAKE ANIMAL FARM GOOD AGAIN New Trailer for ‘The Odyssey’ Unveils Elaborate Sets and Emotional Stakes The Awards Tape: Meryl Streep Awards Draft Review: ‘If I Go Will They Miss Me’ is a Poetic Debut Review: ‘The Invite’ is Olivia Wilde’s Best Directorial Effort To Date ‘Deep Water’ Finds Renny Harlin Returning to the Deep Blue Sea RETRO//RANKED: Star Wars (7-8): The Clone Wars & The Force Awakens Summer 2026 Box Office Draft ‘Chili Finger’ Review: Judy Greer Stars in a Stunning Act of Desperation 20 Years of ‘Mission: Impossible III’ and How It Changed The Franchise For The Better  *PFS SPRINGFEST 2026* Interview With ‘These Are My Friends!’ (2026) Director, Aaron Bartuska