THE ROLLING TAPE https://validator.w3.org/feed/docs/rss2.html Home 2025 ‘Passenger’ Review: Leave André Øvredal’s New Road Trip Horror On The Side Of The Road Spring Festival Recaps: SIFF, Chicago Critics Film Festival & PFS SpringFest Review: ‘Carolina Caroline’ Is a Con That Doesn’t Work Review: ‘Power Ballad’ Strikes an Emotional Cord *PFS SPRINGFEST 2026* Interview With ‘These Are My Friends!’ (2026) Director, Aaron Bartuska PFS SpringFest and The Growing Strength of Philadelphia’s Film Ecosystem Review: ‘Hokum’ Knows the Horror Genre’s Tricks, Even If It Can’t Escape Them Review: ‘The Invite’ is Olivia Wilde’s Best Directorial Effort To Date Review: ‘If I Go Will They Miss Me’ is a Poetic Debut ‘Chili Finger’ Review: Judy Greer Stars in a Stunning Act of Desperation ‘The Sun Never Sets’ Review: Joe Swanberg is All Grown Up ‘Black Burns Fast’ Review: A Feel-Good Black Sapphic Rom-Com That Should Be On Everyone’s Radar Review: ‘Late Fame’ is an Honest Look at Art and Criticism Culture ‘Mārama’ Review: This Fresh, Vengeful, Gothic Horror Shows the Power of Māori Women in the Face of Colonization Spring Festivals 2026 Award Wars: Oscars Prediction Game NEON’s Palme d’Or Streak Extends to Seven with ‘Fjord’ at the 79th Cannes Film Festival Awards Ceremony 2026 Cannes Film Festival Competition Awards Predictions The Awards Tape: Television in 2026 & Early Emmy Predictions ‘Top Gun’ and Tom Cruise’s 40-Year Battle to Save Cinema The Unmatched Buddy Road Trip: Cannes Celebrates 35 Years of ‘Thelma & Louise’ Review: Léa Seydoux’s Harrowing Performance Cannot Save Marie Kreutzer’s Bloated ‘Gentle Monster’ ‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study EP 190: I Love Boosters (2026) & Live Commentary: 79th Cannes Film Festival Awards Ceremony Review: ‘The Mandalorian and Grogu’ is Star Wars’ Not-So-Triumphant Return to the Big Screen Review: Aleshea Harris’ Directorial Debut ‘Is God Is’ Declares Black Women Deserve More Opportunities in Hollywood Hollywood’s Sequel Safety Net: Are Studios Too Afraid to Bet on Originals? Most Anticipated Titles out of Cannes 2026 Live from Cannes: 79th Cannes Film Festival Preview Cannes 2026 “Do You Want to Talk to Her?” How ‘Obsession’ Effortlessly Handles Male Entitlement and Consent Review: ‘All of a Sudden’ Uses Mutual Care as a Blueprint for Breaking the Cycles of Capitalism Diego Luna’s ‘Ceniza en la Boca’ is a Quietly Devastating Rumination on Kinship, Maternal Relationships, and Generational Trauma *CANNES 2026* Interview With ‘Le Triangle d’or (Golden Triangle)’ Director, Hélène Rosselet-Ruiz *MOUNTAINFILM FESTIVAL* Interview With ‘Paper Town’ Director, Jeremy Seifert Writer/Director Natalie Erika James Discusses Her Latest Genre Film ‘Saccharine,’ and Her Delve Into Body Horror  RETRO//RANKED: Star Wars (11-12): Solo & The Rise of Skywalker EP 187: The Devil Wears Prada 2 (2026), The Career of Anne Hathaway & Tier Ranking Legacy Sequels ‘The Punisher: One Last Kill’ Review: A Soft Relaunch of MCU’s Most Questionable Anti-Hero Feels Stagnant Rather Than Special The High Ground of Star Wars: The Movies Most Worth a Revisit or a First Watch RETRO//RANKED: Star Wars (9-10): Rogue One & The Last Jedi EP 189: Obsession, YouTuber To Feature Filmmaker Pipeline & Blind Ranking Cursed Movie Objects *CANNES 2026* Interview With ‘Ceniza en la Boca (Ashes)’ Actresses, Adriana Paz & Anna Díaz Interview With ‘Euphoria’ (Season 3) Editing Team, Nikola Boyanov, Aaron I. Butler, Aleshka Ferrero & Julio C. Perez IV ‘In Waves’ Review: Phuong Mai Nguyen Showcases the Pockets of Happiness in the Darkest of Days Peeling Back The Layers of What Exactly Shrek’s Legacy Is 25 Years Later The Rolling Remote: Euphoria (S3, Episodes 1-4) EP 188: The Sheep Detectives, The State of Amazon MGM & Guess The Murder Mystery Mini-Game 9 Smart, Dynamic Films for Gemini Season