THE ROLLING TAPE https://validator.w3.org/feed/docs/rss2.html Home 2025 EP 187: The Devil Wears Prada 2 (2026), The Career of Anne Hathaway & Tier Ranking Legacy Sequels ‘The Punisher: One Last Kill’ Review: A Soft Relaunch of MCU’s Most Questionable Anti-Hero Feels Stagnant Rather Than Special Diego Luna’s ‘Ceniza en la Boca’ is a Quietly Devastating Rumination on Kinship, Maternal Relationships, and Generational Trauma Review: ‘Power Ballad’ Strikes an Emotional Cord The High Ground of Star Wars: The Movies Most Worth a Revisit or a First Watch “Do You Want to Talk to Her?” How ‘Obsession’ Effortlessly Handles Male Entitlement and Consent Review: Aleshea Harris’ Directorial Debut ‘Is God Is’ Declares Black Women Deserve More Opportunities in Hollywood Review: ‘Late Fame’ is an Honest Look at Art and Criticism Culture ‘Black Burns Fast’ Review: A Feel-Good Black Sapphic Rom-Com That Should Be On Everyone’s Radar RETRO//RANKED: Star Wars (11-12): Solo & The Rise of Skywalker ‘Top Gun’ and Tom Cruise’s 40-Year Battle to Save Cinema *CANNES 2026* Interview With ‘Ceniza en la Boca (Ashes)’ Actresses, Adriana Paz & Anna Díaz Live from Cannes: 79th Cannes Film Festival Preview The Rolling Remote: Euphoria (S3, Episodes 1-4) EP 189: Obsession, YouTuber To Feature Filmmaker Pipeline & Blind Ranking Cursed Movie Objects RETRO//RANKED: Star Wars (9-10): Rogue One & The Last Jedi EP 188: The Sheep Detectives, The State of Amazon MGM & Guess The Murder Mystery Mini-Game Review: Netflix’s ‘Remarkably Bright Creatures’ is the Warm, Eight-Armed Hug We Need Right Now ‘The Devil Wears Prada 2’ Review: How 20 Years Have Brought Modern Dilemmas to Runway Magazine Interview With ‘Euphoria’ (Season 3) Editing Team, Nikola Boyanov, Aaron I. Butler, Aleshka Ferrero & Julio C. Perez IV ‘In Waves’ Review: Phuong Mai Nguyen Showcases the Pockets of Happiness in the Darkest of Days Review: ‘Carolina Caroline’ Is a Con That Doesn’t Work Peeling Back The Layers of What Exactly Shrek’s Legacy Is 25 Years Later Most Anticipated Titles out of Cannes 2026 ‘The Sheep Detectives’ Review: Pull the Wool From Your Eyes with a Stirring Whodunnit RETRO//RANKED: Star Wars (5-6): Attack of the Clones & Revenge of the Sith ‘The Sun Never Sets’ Review: Joe Swanberg is All Grown Up ‘Animal Farm’ Review: MAKE ANIMAL FARM GOOD AGAIN New Trailer for ‘The Odyssey’ Unveils Elaborate Sets and Emotional Stakes The Awards Tape: Meryl Streep Awards Draft Review: ‘If I Go Will They Miss Me’ is a Poetic Debut Review: ‘The Invite’ is Olivia Wilde’s Best Directorial Effort To Date ‘Deep Water’ Finds Renny Harlin Returning to the Deep Blue Sea RETRO//RANKED: Star Wars (7-8): The Clone Wars & The Force Awakens Summer 2026 Box Office Draft *PFS SPRINGFEST 2026* Interview With ‘These Are My Friends!’ (2026) Director, Aaron Bartuska RETRO//RECAP: The Devil Wears Prada (2006) The Awards Tape: Music Biopics at the Academy Awards & Michael Awards Assessment The ‘Bloodborne’ Film Adaptation and the Direction of Video Game Adaptations in the 2020s The Rolling Remote: Beef (S2) & A24’s Dark Comedy Anthology on Netflix ‘Omaha’ Review: John Magaro Commands a Tragic Road Trip Drama ‘Slither’ 20th Anniversary: The Gunn Creature Feature That Kicked Off an Incredible and Unexpected Journey Current Voices Review: ‘Steal This Story, Please!’ is a Riveting Humble Portrait of Amy Goodman’s Independence EP 186: Michael, Mother Mary & Blind Ranking Fictional Movie Artists and Bands 20 Years of ‘Mission: Impossible III’ and How It Changed The Franchise For The Better  ‘Kika’ Review: Alexe Poukine’s First Narrative Feature is a Knockout ‘Maddie’s Secret’ Review: John Early’s Farcical Skewering of Culinary Influencers Delivers a Touching Tale of Coming Into Your Own ‘Chili Finger’ Review: Judy Greer Stars in a Stunning Act of Desperation