Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
Read it →
Preview: SpringFest 2025 with the Philadelphia Film Society
‘Armand’ Review: Public Schools and Private Power Dynamics
Last-Minute Musings on an Unforgettable Awards Season
Final Oscar Predictions 2025
The 97th Academy Award Nominations (2025)
Remembering David Lynch and Our Surreal Shared Dream
20 Things the Academy Would Do If They Were Cool: Year 4
‘Nosferatu’ Review: A Theater of Seductive Shadows and Carnal Cravings
*PFF33* ‘Flow’ Review: A Poignant Parable on Collective Climate Change Action
‘Megalopolis’ Review: A Sun-Baked Saga of Self-Portraiture
Our Top Twelve Most Anticipated Films From TIFF
NEWS 036: Slamdance 2025 Recap
RETROSPECTIVE 018: Bong Joon-Ho
EP 127: Ne Zha 2 ft. Larry Fried
The Awards Tape: Oscars Model ft. Cole Curtiss-Fuentes & Mitchell Curtiss
EP 126: The Monkey (2025)
Live Commentary: 31st Screen Actors Guild Awards (2025)
The Awards Tape: Final Oscar Predictions 2025
The Rolling Roulette: Red Broadwell & Nandita Joshi (New Year Noir)
EP 125: Captain America: Brave New World (2025)
EP 124: Paddington in Peru (2025) ft. Jonathan Fujii
Live Commentary: 13 Going on 30 (2004)
RETROSPECTIVE 017: Captain America & The Avengers
we can all agree that nothing makes sense here except the unmatched aura of white witches and the power of women and that i do believe in
Read on Letterboxd ↗this is like what that widows bay mayor was trying to sell to tourists. there’s a distancing effect in matt johnson’s portrait of a young anthony bourdain that almost completely…
Read on Letterboxd ↗nothing really made sense and yet i’ve never seen anything quite like it?? totally unquantifiable in its bizarreness. i’m glad i watched it and also glad that i will never…
Read on Letterboxd ↗10 years of mia seeing the neon sign and me turning into a puddle
Read on Letterboxd ↗i was already this close to becoming a doomsday prepper now i’m rapidly researching panic room installations
Read on Letterboxd ↗the lust kill set up still makes me feel physically ill. dark and depraved in a way that couldn’t be made today. takes a lunatic to pull off the level…
Read on Letterboxd ↗somewhere between a 3 and 3.5? kinda baffling in that it felt too contained to maximize its concept but also perfectly contained to land its emotion by the end? unexpectedly…
Read on Letterboxd ↗can you imagine you get the stdemon and the government passes a law making it illegal for singles to have sex outside of one night a year
Read on Letterboxd ↗a lot of things i really enjoyed and admired here, of course the trademark almodovar colors, heightened performances, and female les storytelling, but i also feel so conflicted by elements…
Read on Letterboxd ↗if there’s anything i’ve learned it’s that plotting to kill samara weaving does not end well for anyone that’s not samara weaving
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