Publications
‘Klara’ and the Dud: Taika Waititi’s Big Swing is a Big Miss
While Taika Waititi is no stranger to vampires, in his latest film, Klara and the Sun, he has unfortunately sucked all of the life out of its source material, the 2021 dystopian sci-fi novel by Nobel Prize-winning author Kazuo Ishiguro. He doesn’t stop there, however. On top of draining the story of substance, Waititi slaps […]
‘Mouse’ Review: An Early Aughts Coming-of-Age, Grief-Centered Feature Filled with Nostalgia & Hope for Life Beyond
An underrated film to have come out of the 35th Annual Philadelphia Film Festival lineup is a film loud with anguish and paired with uncertainty, which is Mouse, co-directed by Kelly O’Sullivan and Alex Thompson. Opening up the film with two high school-aged best friends, Minnie (Katherine Mallen Kupferer) and Callie (Chloe Coleman), screaming the […]
‘You Can See Everything’ Achieves the Impossible and More from this Weekend’s Box Office
After three weeks in theaters and enthusiasm escalating the whole way through, You Can See Everything has topped the domestic weekend box office. The nearly three-hour Elizabeth Holmes documentary from A24 has defied all expectations, becoming the biggest theatrically released documentary in over twenty years. In its third weekend, the film earned $10.6 million, bringing […]
‘Wicker’ Examines the Chasm Between Men and Women in Modern Culture
Alex Huston Fischer and Eleanor Wilson’s Wicker delivers an eccentric story grounded in the reality of modern patriarchal gender dynamics.
Jesse Eisenberg Closes PFF35 with ‘The Debut’ & Talks Writing for Julianne Moore at the Center of His Absurdist Musical Comedy
After Philadelphia Film Festival Closing Night, Jesse Eisenberg discusses The Debut, from songwriting to Julianne Moore’s outrageous commitment to Mona Friedman.
‘Clarissa’ Review: An Adaptation Reimagined with an All-Black Cast Finds Success in Highlighting Classic Themes in the Black Diaspora
What makes Clarissa work in a contemporary Lagos, Nigeria setting is that the material's themes are intrinsic to the Black diaspora, making it a worldwide phenomenon.
‘The Dreamed Adventure’ Review: Valeska Grisebach Puts the Women of the Crime Genre in the Foreground
Valeska Grisebach’s 'The Dreamed Adventure' reframes the crime drama around the women and social histories of a place usually left in the background.
Interview with ‘Sock It to Me: The Legend of George Schlatter’ (2026) Director, Chris Coronado
Sock It to Me details Schlatter's robust six-decade career, which revolutionized television through Rowan & Martin’s Laugh-In and changed how we consume and produce comedy. It laid the groundwork for shows like Saturday Night Live and In Living Color. Schlatter’s special was unafraid to push television's boundaries, delivering bold political commentary, cutthroat satire, and a […]
Interview with ‘Gaslit’ (2026) Director, Katie Camosy
In Greenpeace USA’s recent film, Gaslit, Director Katie Camosy teams up with longtime activist and icon, Jane Fonda, to interrogate and reveal the ugly underbelly of the fossil fuel and natural gas industry. As they travel through Texas oil fields and Gulf Coast communities, Camosy and Fonda interview activists from all walks of life, emphasizing […]
Director Chris Coronado Chats ‘Sock It to Me,’ The Story of Legendary Producer George Schlatter
George Schlatter. A man you might’ve never known, not without the efforts of Director Chris Coronado’s recent feature documentary: Sock It to Me: The Legend of George Schlatter. Sock It to Me details Schlatter’s robust six-decade career, which revolutionized television through Rowan & Martin’s Laugh-In and changed how we consume and produce comedy. It laid […]
‘Gaslit’ Director Katie Camosy Talks Fossil Fuels, Fonda, and Her Journey Through the Gulf
In Greenpeace USA’s recent film, Gaslit, Director Katie Camosy teams up with longtime activist and icon, Jane Fonda, to interrogate and reveal the ugly underbelly of the fossil fuel and natural gas industry. As they travel through Texas oil fields and Gulf Coast communities, Camosy and Fonda interview activists from all walks of life, emphasizing […]
Good Grief: What I’ve Learned About Movies Through Love, Loss, and End-of-Life Care in 2026
The recurring trend of festival films in 2026 confronts end-of-life care and shows that movies can change how we face grief and loss.
‘Elsinore’ Review: Andrew Scott Gives the Performance of a Lifetime
I’ve already seen Elsinore dismissed as “Oscar bait” or “trauma porn,” but that doesn’t feel fair. Elsinore seeks to depict the darkness and devastation of the AIDS crisis, honoring the time stolen and lives lost. Moreover, though, it manages to not just hold space for joy, but advocate for it as a necessary balm in trying times.
‘Clayface’ Tops The Box Office, But ‘You Can See Everything’ Continues to Transcend
Nathan Fielder's documentary sensation only fell a few million dollars short of 'Clayface' for the top spot at this week's box office.
‘Minotaur’ Review: In Andrey Zvyaginstev’s Eyes, Everything is Rotting
In this latest dispatch from The Chicago International Film Festival, we break down Minotaur, a marital drama set against the backdrop of the war with Ukraine.
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Podcasts
View all PodcastsThe Awards Tape: Best Director, Original Screenplay & Adapted Screenplay Oscar Predictions 2026-27 ft. Dean Coburn
EP 212: Wildwood, Clayface & It Took 16 Years to Mold This Face Out of Clay! Plus, DCU Upcoming Project Power Rankings
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