Publications
Vol 3: Four Underrated Film Performances You Should Watch
As we turn the gear through fall and into awards season, the number of performances that are going to be discussed will continue to grow and grow. The more we find new things to watch and new performances to appreciate, the more hidden gems can slip into the background. As cinephiles, there are so many […]
Review: In ‘A Long Winter’ Grief Can Change Us Into Someone New
Haigh returns with A Long Winter, a much smaller, more restrained story that explores many of the same ideas about grief, identity, and learning how to live with ourselves.
Review: ‘Clayface’ Molds a Cracked Entry to the DCU
Undoubtedly, audiences might still ask “so what?” with Clayface; however, Clayface offers enough body horror and its revenge-filled second half to be a serviceable headliner for the DCU’s first monster movie.
Review: Mahershala Ali Leads Poignant Spiritual Thriller ‘Your Mother Your Mother Your Mother’
o matter your belief system, there are messages and themes in Your Mother Your Mother Your Mother that will resonate with anyone who’s dropped to their knees in dark times, and especially those who have been strong enough to miraculously rise again.
‘I See Buildings Fall Like Lightning’ Review: Clio Barnard’s Timely Dissection of Social Stratification in the UK
y. Director Clio Barnard potently brings the conversation to the forefront with I See Buildings Fall Like Lightning, showing the real impact the growing wedge amongst social classes is having.
‘Whalefall’ Review: A Thrilling Survival Tale of Gigantic Proportions
Whalefall is an achievement in scale and intensity, featuring flawless craftwork. The humanity of its larger-than-life premise doesn’t compete with the thrills of its set pieces.
‘Wildwood’ Review: Laika’s Latest is a Landmark Moment Not Just for Animation but for Cinema at Large
Things feel so uncertain in the industry and the world at large. Wildwood functions as a response to all of it. It’s crafted by human hands to wondrous and defiant results.
‘You Can See Everything’ Surprises Audiences and the Box Office
While it may not have topped the domestic box office this weekend, You Can See Everything has taken the film industry by storm.
Trailer Talk: The Biggest Movie and TV Reveals of the Week
Greta Gerwig's 'Narnia' movie, Jason Statham's 'Beekeeper' sequel, and Disney's 'Hexed' headline some of the biggest new trailers in film.
Batman Bombshells, Mummy Mania, and Hollywood Surprises: What You Missed This Week
From Steven Soderbergh stepping in on 'The Batman: Part 2' to a new date for Brendan Fraser's long-awaited 'The Mummy 4,' this week brought big entertainment news.
Review: Nathan Fielder’s Genius is on Full Display in ‘You Can See Everything’
You Can See Everything doesn’t necessarily offer an answer to the difference between a lie and the truth. It simply presents that idea and engages in strange, deranged, and jaw-dropping ways of seeing interpretations of solutions.
Review: ‘Street Fighter’ Restores The Balance of Horrible Video Game Adaptations
Street Fighter has so much potential to be a compelling, campy ‘90s time capsule paying homage to one of the most iconic fighting games of all time, but it’s too bogged down by references, accuracy, and a horrible script that it can’t quite realize what it sets out to.
‘A Statement’ Review: The Next Great “People Talking in Rooms” Film Takes on Carbon Emissions and an Impending Reagan Presidency
A Statement is certainly no Spotlight, but it’s safe to say Tom McCarthy has returned to form with a captivating drama taken right from the pages of a transcript that feels so alive and lived in.
*PFF 2026* Interview with ‘Yale’ (2026) Director, Jay Silverman & Writer, Van Billet
Yale, written by Philadelphia native Van Billet and directed by Jay Silverman, tells the true story of Billet’s grandfather, Yale Parker (Kevin Dunn), a burlesque comedian and serial bigamist who walked out on several families. It’s told through his daughter Mackenzie (Caitlin McGee), who has to face the father who abandoned her as the last-ditch […]
Review: ‘Club Kid’ Feels Like All the Best Parties
It’s hard to know when to leave the party. It’s even harder to still be at the party long after it stops being fun.This idea permeates Jordan Firstman’s feature debut, Club Kid. Warm, alive, and emotional, the film is a certified crowd pleaser and the perfect way to kick off the 62nd Chicago International Film Festival.
Popular This Week
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Top 15 Movie Musicals
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‘Leviticus’ Costume Designer Zohie Castellano Breaks Down the Film’s Costumes, Symbolism, and Australian-Gothic Aesthetic
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‘Wildwood’ Review: Laika’s Latest is a Landmark Moment Not Just for Animation but for Cinema at Large
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Review: ‘A Mosquito in the Ear’ is a Heartfelt Family Drama of Miscommunication
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Review: ‘Buddy’ Is an Inventive Horror-Parody of 90s Kids’ TV that Runs Out of Steam
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Review: Nathan Fielder’s Genius is on Full Display in ‘You Can See Everything’
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‘I See Buildings Fall Like Lightning’ Review: Clio Barnard’s Timely Dissection of Social Stratification in the UK
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Ouch, My Daddy Issues! Ten Movies to Watch if You Have a Complicated Relationship With Your Dad
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‘Whalefall’ Review: A Thrilling Survival Tale of Gigantic Proportions
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Review: ‘Club Kid’ Feels Like All the Best Parties
Podcasts
View all PodcastsThe Awards Tape: NYFF 2026 Recap & World Premieres in the Awards Race ft. Hannah Zook
EP 211: You Can See Everything Inside This Sperm Whale's Stomach (Whalefall & You Can See Everything)
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