Publications
Interview with ‘Agridulce’ (2026) Producer, Benjamin de Menil
Bachata music dominates the world today. With artists like Luis Vargas, Anthony Santos, Juan Luis Guerra, and Romeo Santos, the upbeat tunes with the somber lyrics are a staple of Hispanic and Latino clubs, parties, weddings, and so on. The music has a long history – it’s one that contemporary audiences might not know, and […]
Emmys Buzz and More: What You Missed This Week
It was a week of Emmy history, franchise announcements, major casting moves, and TIFF surprises. Widow’s Bay truly stole the spotlight with its record-shattering 14 Emmy wins, but plenty more made noise across Hollywood. Netflix’s live-action, Greta Gerwig-led Narnia film is underway, the return of World War Z, and Hungary’s Oscar contender were among the week’s biggest stories.
‘Forgotten Island’ Review: An Unforgettable Ode to the Friendships That Make Us Soar
Forgotten Island, DreamWorks’ latest animated feature, tells the story of Jo and Raissa, two best friends who are put to the test when they wind up on a mythical island with no memory of the night before.
‘La Bola Negra’ Wins the TIFF 2026 People’s Choice Award
La Bola Negra won the People’s Choice Award at the 51st Toronto International Film Festival on Sunday.
‘Resident Evil’ Review: One Crazy Night in Raccoon City
Yes, it is one of the finest video game movies ever made. And yes, it's the latest from horror maestro Zach Cregger. But, perhaps above all, Resident Evil is a "one crazy night" movie.
‘Tender Loving Care’ Review: Mike Leigh’s Swan Song is His Most Personal Film
In his possibly last, film, Tender Loving Care, Leigh argues these very acts of TLC aren’t simply the maintenance of a failing machine, but the fuel that makes it run in the first place.
‘Everybody Wants to F*ck Me’ Review: Taron Egerton Lights Up the Screen in Satirical Sex Comedy Thriller
Everybody Wants to F*ck Me is a wildly amusing satire about one man’s fantasy becoming his worst nightmare, featuring a magnetic performance by Taron Egerton.
Review: ‘River’ is a Jolt of Invention for the Slasher Genre
River is a win for the slasher genre as debut filmmaker Joshua Giuliano establishes himself as a unique voice with an inventive style and approach to horror.
‘Being Heumann’ Producers Hope to Inspire Action After Its World Premiere at TIFF
Eleven years later, Being Heumann premiered to a sold-out, ecstatic crowd at the 51st Toronto International Film Festival. After the screening, I met up with two of the film’s producers, John Beach and Kevin Cleary, on the red carpet to talk about what this film means to them and how they hope it inspires viewers.
*TIFF 2026* Interview with ‘Being Heumann’ (2026) Producers, John Beach & Kevin Cleary
Judy Heumann lived a storied life, challenging the status quo, exposing governmental flaws, and giving a voice to one of the most marginalized, castaway communities: people with disabilities. She passed away suddenly in 2023 at age 75, after years of involvement in the movie adaptation of her biography, “Being Heumann: An Unrepentant Memoir of a […]
*TIFF 2026* Interview with ‘Kick On’ (2026) Director, Nick Kozakis
Nick Kozakis is already on his third feature film, but this year marks his first TIFF appearance and his first Midnight Madness world premiere. Kick On follows a group of partiers looking to score to keep their night going, only to cross the wrong mob boss and end up in a bloody fight for survival. […]
After 40 Years, ‘Blue Velvet’ is Still in Our Dreams
With filmmakers and film buffs still mourning the January 2025 passing of director David Lynch, it’s hard not to overstate or oversimplify his legacy. Arguably his most iconic stand-alone film, Blue Velvet feels like the perfect distillation of what Lynch would become known for as a creative. Often referenced and sometimes imitated, Blue Velvet is an earnest yet horrifically effective case study in scraping the pristine veneer off small-town suburbia. His ability to highlight the strange and subversive in the mundane, a quality he first demonstrated in Eraserhead (1977), would only develop further as his career progressed, as would many other hallmarks of this film.
*TIFF 2026* Interview with ‘Sunburn’ (2026) Director, Serville Poblete
Making its World Premiere at TIFF 2026 and directed by Serville Poblete, Sunburn is a hang-out movie set in St. James Town, a high-rise community in Toronto, and follows a group of young people trying to stay cool during the summer’s hottest day. The temperature triggers a power outage, which sends them out of their […]
‘Kick On’ Director Nick Kozakis on ‘Evil Dead,’ Australian Filmmaking and More
Our resident genre correspondent Nadia Arain sat down with Nick Kozakis, the director of 'Kick On,' to discuss his influences as a filmmaker and the rise of Australian horror filmmakers.
Review: ‘Kick On’ Brings the Blood at Midnight Madness
Premiering at TIFF 2026, Nick Kozakis’s 'Kick On' is a bloody riot, a masterclass in practical effects and a breakout for the filmmaker.
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After 40 Years, ‘Blue Velvet’ is Still in Our Dreams
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Review: ‘A Mosquito in the Ear’ is a Heartfelt Family Drama of Miscommunication
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Review: ‘Kick On’ Brings the Blood at Midnight Madness
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‘Everybody Wants to F*ck Me’ Review: Taron Egerton Lights Up the Screen in Satirical Sex Comedy Thriller
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‘Rear Window’ at 70: Hitchcock’s Masterpiece is as Pertinent as Ever
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The Awards Tape: Venice Recap, Telluride/TIFF Reactions & Oscar Predictions Pulse Check
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Ouch, My Daddy Issues! Ten Movies to Watch if You Have a Complicated Relationship With Your Dad
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‘Kick On’ Director Nick Kozakis on ‘Evil Dead,’ Australian Filmmaking and More
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Review: Anna Biller Returns with Vengeful and Overlong ‘The Face of Horror’
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