Publications
Review: Nathan Fielder’s Genius is on Full Display in ‘You Can See Everything’
You Can See Everything doesn’t necessarily offer an answer to the difference between a lie and the truth. It simply presents that idea and engages in strange, deranged, and jaw-dropping ways of seeing interpretations of solutions.
Review: ‘Street Fighter’ Restores The Balance of Horrible Video Game Adaptations
Street Fighter has so much potential to be a compelling, campy ‘90s time capsule paying homage to one of the most iconic fighting games of all time, but it’s too bogged down by references, accuracy, and a horrible script that it can’t quite realize what it sets out to.
‘A Statement’ Review: The Next Great “People Talking in Rooms” Film Takes on Carbon Emissions and an Impending Reagan Presidency
A Statement is certainly no Spotlight, but it’s safe to say Tom McCarthy has returned to form with a captivating drama taken right from the pages of a transcript that feels so alive and lived in.
*PFF 2026* Interview with ‘Yale’ (2026) Director, Jay Silverman & Writer, Van Billet
Yale, written by Philadelphia native Van Billet and directed by Jay Silverman, tells the true story of Billet’s grandfather, Yale Parker (Kevin Dunn), a burlesque comedian and serial bigamist who walked out on several families. It’s told through his daughter Mackenzie (Caitlin McGee), who has to face the father who abandoned her as the last-ditch […]
Review: ‘Club Kid’ Feels Like All the Best Parties
It’s hard to know when to leave the party. It’s even harder to still be at the party long after it stops being fun.This idea permeates Jordan Firstman’s feature debut, Club Kid. Warm, alive, and emotional, the film is a certified crowd pleaser and the perfect way to kick off the 62nd Chicago International Film Festival.
‘The Day She Returns’ Review: Hong Sang-soo’s Latest is a Layered, Compelling Reflection on Artists and Authenticity
New York Film Festival staple Hong Sang-soo returns with 'The Day She Returns,' a minimal yet layered film that gets better with time.
Four Unconventional Genre Films for Your October Watchlist
Looking to pull out the most obscure horror movie at this year’s Halloween party? Here’s four options from creature features to tense thrillers set during Spooky Season.
‘Carrie’ (2026) Review: You Thought High School Was Bad
Mike Flanagan’s 'Carrie,' the newest Amazon Prime adaptation of Stephen King's debut novel, is neither a masterpiece like De Palma nor the disaster of the musical. It sits squarely in the middle.
‘Other Mommy’ Review: Creepy Smiles are not Enough to Save this Dumpster Fire
Despite an intriguing concept on paper, Savage’s Other Mommy is a waste of time that uses terrible CGI in lieu of real thrills, poorly written dialogue, and listless direction to show that stepparent trauma is real.
Five of the Biggest Movie and TV Reveals this Week
This week’s trailer lineup spans wildly different worlds. The Exorcist: Martyrs promises fresh horror, Look Back explores the emotional sides of artistic ambition, and Blade Runner 2099 and Cyberpunk: Edgerunners Season 2 offer another glimpse into their futuristic universes.
‘VisionQuest’ Ep 1 & 2 Review: The Beginning of the End of Wanda & Vision’s Trilogy
Setting the stage for what could be one of the most emotionally tangible Marvel Television shows yet, the first two episodes of VisionQuest provide a tease into a story we so desperately want to see more of.
‘Ray Gunn’ Review: Brad Bird’s Futuristic Spy Animation For All Ages
Revered animation director Brad Bird firmly and passionately advocates this notion. His newest venture, Ray Gunn, is a shiny new name to add to this placard.
The Philadelphia Film Festival Celebrates 35 Years, Debuting 70mm Projection
The Philadelphia Film Festival returns October 15-25 for a milestone edition of the Philadelphia Film Society’s defining flagship fall event.
‘Behemoth!’ Review: Tony Gilroy’s Big Screen Return Offers the Full Cinematic Experience
Tony Gilroy's return to film sees Pedro Pascal deliver a triumphant performance as a renowned cellist.
‘Other Mommy’ Ushers in Halloween Season at the Box Office
Aaron Sorkin's 'The Social Reckoning' failed to make the top five at the box office, falling short of Jessica Chastain horror pic 'Other Mommy.'
Popular This Week
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Top 15 Movie Musicals
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Review: ‘A Mosquito in the Ear’ is a Heartfelt Family Drama of Miscommunication
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‘VisionQuest’ Ep 1 & 2 Review: The Beginning of the End of Wanda & Vision’s Trilogy
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‘Behemoth!’ Review: Tony Gilroy’s Big Screen Return Offers the Full Cinematic Experience
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Review: ‘Wicker’ Is the Sexy-fantasy We’ve Been Yearning For, and Colman Delivers on All Fronts
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The Philadelphia Film Festival Celebrates 35 Years, Debuting 70mm Projection
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Review: ‘Fjord’ is an Impressive Icy Drama with a Sensational Sebastian Stan Performance
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‘Ray Gunn’ Review: Brad Bird’s Futuristic Spy Animation For All Ages
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Review: ‘Club Kid’ Feels Like All the Best Parties
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‘Carrie’ (2026) Review: You Thought High School Was Bad
Podcasts
View all PodcastsThe Awards Tape: Post-Fall Festival Best Picture Predictions 2026-27 From The Odyssey to Artificial
EP 210: Other Mommy, The Social Reckoning & Aaron Sorkin Carnating 'Other Social Network'
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