Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
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Georgia Bernstein on Blending Scammers and Caregivers into an Erotic Thriller in ‘Night Nurse’
Interview: Cinematographer and Producer Christian Sprenger on the Nostalgic Look of ‘Widow's Bay’
Un Certain Regard Elevates the Profile of Cannes’ Discovery Programming
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
NEON’s Palme d’Or Streak Extends to Seven with ‘Fjord’ at the 79th Cannes Film Festival Awards Ceremony
Review: ‘All of a Sudden’ Uses Mutual Care as a Blueprint for Breaking the Cycles of Capitalism
Most Anticipated Titles out of Cannes 2026
PFS SpringFest and The Growing Strength of Philadelphia’s Film Ecosystem
First Look From Martin Scorsese's 'What Happens at Night' Starring Leonardo DiCaprio and Jennifer Lawrence
Documentarians Lead the Way on Environmentalist Storytelling at Sundance 2026
Emerging Filmmakers Shine in the Sundance NEXT Section
EP 209: Verity & Digger or: How I Learned to Save Humanity and Love My Wife's Ghostwriter
In the Queue: September Recommendations, Buddy (2026) & Watchlist Shuffles for Horror Movies
EP 207: Resident Evil (2026) & Guess the Video Game Adaptation Letterboxd Review Game
The Awards Tape: Venice Recap, Telluride/TIFF Reactions & Oscar Predictions Pulse Check
EP 206: Practical Magic 2 (2026) & Hope (2026)
Live Commentary: Godzilla Minus One (2023)
EP 205: Onslaught (2026) & A24 Rotten Tomatoes Mini-Game
EP 204: The Dog Stars (2026) & Coyote vs. Acme (2026)
The Awards Tape: 2027 Oscar Contenders Draft Final Rosters
EP 203: Speed Run Reviews of Maddie’s Secret, Teenage Sex and Death at Camp Miasma, Tony, and It Ends & Venice, TIFF, and NYFF Previews
EP 202: The End of Oak Street (2026) & Blind Ranking Dinosaur Movies
In the Queue: August 2026 Recommendations & & Watchlist Shuffles for Rom-Coms
just miserable to watch aaron sorkin direct. the first hour and a half felt like four hours (derogatory) in a story that has no momentum and insists upon characters lecturing…
Read on Letterboxd ↗if this is trash then call me a raccoon because I was eating it up. as soon as the title card hit i knew exactly what this movie was, and…
Read on Letterboxd ↗watched a heist movie on my flight in both directions. this one was significantly worse.
Read on Letterboxd ↗i want to be as good at anything in life as they were executing this heist
Read on Letterboxd ↗i like the *idea* of lance oppenheim’s primetime significantly more than the execution of the movie itself. this heightened narrativized-biography style he calls “docufantasia” is a fascinating space to explore,…
Read on Letterboxd ↗nellie laroy you will always be a star! first revisit since the theatrical release in 2022 and on 70mm with the best movie pals in the business. to think the…
Read on Letterboxd ↗a lean, mean, synth-scored anti-government machine. hell yeah adam wingard.
Read on Letterboxd ↗three movies into zach cregger’s career and i’m recognizing a pattern in my evaluation of his work: he’s clearly demonstrated a level of directorial skill and control, but as that…
Read on Letterboxd ↗a perfectly paired double feature with spotlight, a best picture win that grows better and better with time for me. this is an acting showcase we were lucky to get…
Read on Letterboxd ↗the fact that this was the first Black female directed film to play in competition at Cannes in 2019 is legitimately insane, but its recognition is so deserved. a fascinating…
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