Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
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Interview With 'Playland' (2023) Director, Georden West
Interview With 'To My Father' Director, Sean Schiavolin
Interview With 'Kiss the Future' (2023) Editor, Eric Burton
Interview With 'The Future' (2023) Director, Noam Kaplan
Interview With 'Every Body' (2023) Director, Julie Cohen
Interview with ‘Giving Birth to a Butterfly’ (2023) Director and Co-Writer Ted Schaefer
Interview with ‘Giving Birth to a Butterfly’ (2023) Co-Writer Patrick Lawler
Renate Reinsve Joins Pedro Pascal in Zach Cregger's ‘Weapons’
Cannes Market Heats Up With Kim Jee-woon’s ‘Cobweb’
Ethan Coen Solo Directorial Venture Announces Title and Release Date
Cannes Announces 2023 Festival Lineup
Sundance Film Festival Preview 2026
Live Commentary: 83rd Golden Globes (2026)
EP 171: No Other Choice (2025)
Speed Run Reviews of It Was Just an Accident, The Secret Agent, Train Dreams, Hedda & If I Had Legs I’d Kick You
NEWS 051: The Actor Award (SAG) Nominations 2025-26
Best of 2025 & Most Anticipated of 2026
TRT After Dark: Box Office 2025 Reflections & The Value of Movie Theaters
RETRO//RANKED: James Cameron (Titanic & Avatar)
The Awards Tape: Best Animated Feature, International Feature & Documentary Feature Predictions 2025-26
EP 170: Marty Supreme (2025)
The Awards Tape: Best Sound, Original Score & Original Song Predictions 2025-26
EP 169: Avatar: Fire and Ash (2025)
PFF35 #27Made in USAdirector interview incoming!
Read on Letterboxd ↗PFF35 #20World Viewa landlord’s worst nightmare, this is exactly the movie you’d think would be titled i see buildings fall like lightning (because that’s almost exactly what happens), but turns…
Read on Letterboxd ↗PFF35 #16Made in USAwhile not yet at the same level of visibility as films like booksmart, eighth grade, and lady bird, this should absolutely be recognized in the same conversation…
Read on Letterboxd ↗PFF35 #17Spotlightsi understand you’ve gotta sell a movie and running with alexander skarsgard’s freak arc to his career puts butts in seats, but the sex and raunchiness pales in comparison…
Read on Letterboxd ↗PFF35 #15Filmadelphiaconceptually has ideas to work with about deconstructing vampire tropes through an agoraphobic vegetarian protagonist, but how it executes everything is cringey and confused. i’d be willing to give…
Read on Letterboxd ↗PFF35 #14World Viewwhen adult male incompetence meets middle school belligerence aka absolute crackhead energy for a directorial debut. stilted up by the trope that plot chaos would be easily resolved…
Read on Letterboxd ↗PFF35 #11Centerpieceshad a such a peculiar and unique experience watching this because it’s so all over the place tonally and construction-wise that i was getting ready to mentally write it…
Read on Letterboxd ↗PFF35 #10World Viewcoming out of last year where SOUND OF FALLING was unmistakably my favorite film of the movie, and (in my humble opinion) a generation-defining artistic achievement, EVERYTIME seemed…
Read on Letterboxd ↗PFF35 #9Masters of Cinemai feel ill-equipped to assess TENDER LOVING CARE from the vantage point of Mike Leigh’s supposed swan song as his career is mostly a giant blind spot…
Read on Letterboxd ↗PFF35 #6World Viewi particularly love when a movie immerses itself in a cultural context that brings with it the texture of social stratification, economic disparity, and political history. clarissa does…
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