Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
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Good Grief: What I’ve Learned About Movies Through Love, Loss, and End-of-Life Care in 2026
The Philadelphia Film Festival Celebrates 35 Years, Debuting 70mm Projection
Milestone 30th Annual Fantasia Festival Promises the Best of Global Genre Storytelling
Georgia Bernstein on Blending Scammers and Caregivers into an Erotic Thriller in ‘Night Nurse’
Interview: Cinematographer and Producer Christian Sprenger on the Nostalgic Look of ‘Widow's Bay’
Un Certain Regard Elevates the Profile of Cannes’ Discovery Programming
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
NEON’s Palme d’Or Streak Extends to Seven with ‘Fjord’ at the 79th Cannes Film Festival Awards Ceremony
Review: ‘All of a Sudden’ Uses Mutual Care as a Blueprint for Breaking the Cycles of Capitalism
Most Anticipated Titles out of Cannes 2026
PFS SpringFest and The Growing Strength of Philadelphia’s Film Ecosystem
EP 137 Pre-Episode: Thunderbolts* Review Behind-the-Scenes & Favorite Movie Villains
RETROSPECTIVE 021: Final Destination Franchise
EP 138: PFS SpringFest, Chicago Critics Film Festival & Friendship (2025)
Summer 2025 Box Office Draft
EP 137: Thunderbolts* (2025)
The Awards Tape: Way-Too-Early Oscar’s Predictions ft. Matt Neglia
EP 136: The Accountant 2 (2025)
Live Commentary: The Accountant (2016)
EP 135: Sinners (2025)
The Rolling Remote: White Lotus (S3)
EP 134: Warfare (2025)
NEWS 038: 78th Cannes Film Festival Lineup Announcement
PFF35 #27Made in USAdirector interview incoming!
Read on Letterboxd ↗PFF35 #20World Viewa landlord’s worst nightmare, this is exactly the movie you’d think would be titled i see buildings fall like lightning (because that’s almost exactly what happens), but turns…
Read on Letterboxd ↗PFF35 #16Made in USAwhile not yet at the same level of visibility as films like booksmart, eighth grade, and lady bird, this should absolutely be recognized in the same conversation…
Read on Letterboxd ↗PFF35 #17Spotlightsi understand you’ve gotta sell a movie and running with alexander skarsgard’s freak arc to his career puts butts in seats, but the sex and raunchiness pales in comparison…
Read on Letterboxd ↗PFF35 #15Filmadelphiaconceptually has ideas to work with about deconstructing vampire tropes through an agoraphobic vegetarian protagonist, but how it executes everything is cringey and confused. i’d be willing to give…
Read on Letterboxd ↗PFF35 #14World Viewwhen adult male incompetence meets middle school belligerence aka absolute crackhead energy for a directorial debut. stilted up by the trope that plot chaos would be easily resolved…
Read on Letterboxd ↗PFF35 #11Centerpieceshad a such a peculiar and unique experience watching this because it’s so all over the place tonally and construction-wise that i was getting ready to mentally write it…
Read on Letterboxd ↗PFF35 #10World Viewcoming out of last year where SOUND OF FALLING was unmistakably my favorite film of the movie, and (in my humble opinion) a generation-defining artistic achievement, EVERYTIME seemed…
Read on Letterboxd ↗PFF35 #9Masters of Cinemai feel ill-equipped to assess TENDER LOVING CARE from the vantage point of Mike Leigh’s supposed swan song as his career is mostly a giant blind spot…
Read on Letterboxd ↗PFF35 #6World Viewi particularly love when a movie immerses itself in a cultural context that brings with it the texture of social stratification, economic disparity, and political history. clarissa does…
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