Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
Read it →
Documentarians Lead the Way on Environmentalist Storytelling at Sundance 2026
Emerging Filmmakers Shine in the Sundance NEXT Section
Grand Juries, Audience Awards, and Online Access Bring Sundance 2026 To a Close
Political Violence on the Doorstep of Sundance 2026
Sundance Acquisition Scene Heats Up While the Movies Get Sexy
Sundance Flexes Its Oscar Muscles Day One of the Festival
TRT Predicts Oscar Nominations
‘Die My Love’ Review: Lynne Ramsay’s Blistering Collision of Motherhood and Rural Isolation
My Top 10 of the 34th Philadelphia Film Festival
Philadelphia Film Festival Announces Audience Award Winners
34th Annual Philadelphia Film Festival Curtain Raiser
*TRIBECA 2023* Interview With 'Proof of Concept' (2023) Directors, Max Cohn and Ellie Sachs
DOUBLE FEATURE 020: Rocky Horror Picture Show (1975), But I’m a Cheerleader (1999) & Camp
EP 044: Past Lives (2023) ft. Thomas Stoneham-Judge
BONUS EP: Tribeca Festival 2023 Recap ft. Larry Fried
NEWS 001: Cannes Film Festival 2023 Recap ft. Tasha Jagger
EP 043: Elemental (2023) ft. Derrick Murray
EP 042: Spider-Man: Across the Spider-Verse (2023) ft. John Maffeo
*SIFF & TRIBECA 2023* Midday Black Midnight Blue (2023) & Songs About Fucking (2023)
BONUS EP: To Wong Foo, Thanks for Everything! Julie Newmar
EP 041: 12 Angry Men (1957), Rear Window (1954) & One-Location Films ft. Manning Franks
BONUS EP: Succession ft. Sean Place
EP 040: The Little Mermaid (2023) ft. Katie Rentschler
PFF35 #27Made in USAdirector interview incoming!
Read on Letterboxd ↗PFF35 #20World Viewa landlord’s worst nightmare, this is exactly the movie you’d think would be titled i see buildings fall like lightning (because that’s almost exactly what happens), but turns…
Read on Letterboxd ↗PFF35 #16Made in USAwhile not yet at the same level of visibility as films like booksmart, eighth grade, and lady bird, this should absolutely be recognized in the same conversation…
Read on Letterboxd ↗PFF35 #17Spotlightsi understand you’ve gotta sell a movie and running with alexander skarsgard’s freak arc to his career puts butts in seats, but the sex and raunchiness pales in comparison…
Read on Letterboxd ↗PFF35 #15Filmadelphiaconceptually has ideas to work with about deconstructing vampire tropes through an agoraphobic vegetarian protagonist, but how it executes everything is cringey and confused. i’d be willing to give…
Read on Letterboxd ↗PFF35 #14World Viewwhen adult male incompetence meets middle school belligerence aka absolute crackhead energy for a directorial debut. stilted up by the trope that plot chaos would be easily resolved…
Read on Letterboxd ↗PFF35 #11Centerpieceshad a such a peculiar and unique experience watching this because it’s so all over the place tonally and construction-wise that i was getting ready to mentally write it…
Read on Letterboxd ↗PFF35 #10World Viewcoming out of last year where SOUND OF FALLING was unmistakably my favorite film of the movie, and (in my humble opinion) a generation-defining artistic achievement, EVERYTIME seemed…
Read on Letterboxd ↗PFF35 #9Masters of Cinemai feel ill-equipped to assess TENDER LOVING CARE from the vantage point of Mike Leigh’s supposed swan song as his career is mostly a giant blind spot…
Read on Letterboxd ↗PFF35 #6World Viewi particularly love when a movie immerses itself in a cultural context that brings with it the texture of social stratification, economic disparity, and political history. clarissa does…
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