Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
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Final Oscar Predictions 2023
Cannes Premiere Conversations Continue to Surround the Upcoming Festival
Nancy Meyers Returning to Direct a $130M-Plus Comedy with Netflix
The First Wave of Presenters at the 2023 Oscars Announced
Ranking the 10 Films I Saw at Sundance 2023
Hollywood Weighing Which Studio Films Will Debut at Cannes 2023
Review: 'Magic Mike’s Last Dance' is Stripped of its Magic in its Flat Third Installment
James Cameron Looking to Direct ‘The Last Train From Hiroshima’ After ‘Avatar 3’
Five Winners, Losers, and Surprises from Oscar Nomination Morning
First Look Photo Revealed of Lady Gaga as Harley Quinn in ‘Joker’ Sequel
‘La La Land’ is Coming to the Broadway Stage
The Rolling Remote: Beef (S2) & A24's Dark Comedy Anthology on Netflix
EP 186: Michael, Mother Mary & Blind Ranking Fictional Movie Artists and Bands
RETRO//RANKED: Star Wars (3-4): Return of the Jedi & The Phantom Menace
NEWS: CinemaCon 2026 Recap ft. Kam Ryan
EP 185: Lee Cronin’s The Mummy, The Mummy Franchise & Blumhouse
RETRO//RANKED: Star Wars (1-2): A New Hope & The Empire Strikes Back
The Awards Tape: 79th Cannes Film Festival In Competition Lineup Analysis & Palme d'Or Predictions
EP 184: The Super Mario Galaxy Movie, Illumination & The State of Video Game Movies
The Awards Tape: A24 Awards History
The Rolling Remote: Channel Surfing for TV Recommendations
EP 183: The Drama (2026), The Careers of Robert Pattinson and Zendaya & Movie Marketing Campaigns Gone Viral
The Awards Tape: 2027 Oscar Contenders Draft
PFF35 #27Made in USAdirector interview incoming!
Read on Letterboxd ↗PFF35 #20World Viewa landlord’s worst nightmare, this is exactly the movie you’d think would be titled i see buildings fall like lightning (because that’s almost exactly what happens), but turns…
Read on Letterboxd ↗PFF35 #16Made in USAwhile not yet at the same level of visibility as films like booksmart, eighth grade, and lady bird, this should absolutely be recognized in the same conversation…
Read on Letterboxd ↗PFF35 #17Spotlightsi understand you’ve gotta sell a movie and running with alexander skarsgard’s freak arc to his career puts butts in seats, but the sex and raunchiness pales in comparison…
Read on Letterboxd ↗PFF35 #15Filmadelphiaconceptually has ideas to work with about deconstructing vampire tropes through an agoraphobic vegetarian protagonist, but how it executes everything is cringey and confused. i’d be willing to give…
Read on Letterboxd ↗PFF35 #14World Viewwhen adult male incompetence meets middle school belligerence aka absolute crackhead energy for a directorial debut. stilted up by the trope that plot chaos would be easily resolved…
Read on Letterboxd ↗PFF35 #11Centerpieceshad a such a peculiar and unique experience watching this because it’s so all over the place tonally and construction-wise that i was getting ready to mentally write it…
Read on Letterboxd ↗PFF35 #10World Viewcoming out of last year where SOUND OF FALLING was unmistakably my favorite film of the movie, and (in my humble opinion) a generation-defining artistic achievement, EVERYTIME seemed…
Read on Letterboxd ↗PFF35 #9Masters of Cinemai feel ill-equipped to assess TENDER LOVING CARE from the vantage point of Mike Leigh’s supposed swan song as his career is mostly a giant blind spot…
Read on Letterboxd ↗PFF35 #6World Viewi particularly love when a movie immerses itself in a cultural context that brings with it the texture of social stratification, economic disparity, and political history. clarissa does…
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