Danny Jarabek
Danny Jarabek is the Editor-in-Chief of The Rolling Tape and a Co-Founder as of the outlet's introduction in 2022. Danny hosts the site's weekly podcast and manages film and entertainment content across the site's publication and podcast branches. In addition to providing weekly episodes, Danny is a contributing writer and voice for breaking news coverage and critical reviews. Danny also runs media and festival coverage for The Rolling Tape with experience at major festivals around the country.
- Hosts The Rolling Tape
- Climate & Environment
- Science Fiction
- International Arthouse
Must-Read Pick
‘Teenage Sex and Death at Camp Miasma’ Review: Hannah Einbinder is Seduced by the Slasher in Jane Schoenbrun’s Meta-Maximalist Genre Study
Read it →
First Look Photo Revealed of Lady Gaga as Harley Quinn in ‘Joker’ Sequel
‘La La Land’ is Coming to the Broadway Stage
20 Things the Academy Would Do If They Were Cool: Year 2
2023 Year in Preview
'White Noise' Review: Distraction and the Spectacle of the Supermarket
The Rolling Tape: Top 100 Films
'Babylon' Review: An Auteur’s Cocaine-Fueled Cacophony
'Mad God' Review: A Nightmare 30 Years in the Making
'Decision to Leave' Review: Police, Passion, and Park Chan-wook
'Marcel the Shell with Shoes On' Review: Tiny Shell, Massive Heart
Why A24 Needs To Show Up At the 2023 Oscars
The Awards Tape: Best Picture Predictions 2025-26
EP 164: The Running Man (2025)
Movies Fantasy League Mini-Series: Part One
RETROSPECTIVE 026: Noah Baumbach
EP 163: Frankenstein (2025)
EP 162: Bugonia (2025)
NEWS 047: New York Film Festival, Chicago International Film Festival & Philadelphia Film Festival Recaps 2025
EP 161: After the Hunt (2025)
The Awards Tape: Oscar Predictions 2025 Second Draft
Live Commentary: All is Lost (2013)
Summer 2025 Box Office Draft Finale
EP 158: One Battle After Another (2025)
we can all agree that nothing makes sense here except the unmatched aura of white witches and the power of women and that i do believe in
Read on Letterboxd ↗this is like what that widows bay mayor was trying to sell to tourists. there’s a distancing effect in matt johnson’s portrait of a young anthony bourdain that almost completely…
Read on Letterboxd ↗nothing really made sense and yet i’ve never seen anything quite like it?? totally unquantifiable in its bizarreness. i’m glad i watched it and also glad that i will never…
Read on Letterboxd ↗10 years of mia seeing the neon sign and me turning into a puddle
Read on Letterboxd ↗i was already this close to becoming a doomsday prepper now i’m rapidly researching panic room installations
Read on Letterboxd ↗the lust kill set up still makes me feel physically ill. dark and depraved in a way that couldn’t be made today. takes a lunatic to pull off the level…
Read on Letterboxd ↗somewhere between a 3 and 3.5? kinda baffling in that it felt too contained to maximize its concept but also perfectly contained to land its emotion by the end? unexpectedly…
Read on Letterboxd ↗can you imagine you get the stdemon and the government passes a law making it illegal for singles to have sex outside of one night a year
Read on Letterboxd ↗a lot of things i really enjoyed and admired here, of course the trademark almodovar colors, heightened performances, and female les storytelling, but i also feel so conflicted by elements…
Read on Letterboxd ↗if there’s anything i’ve learned it’s that plotting to kill samara weaving does not end well for anyone that’s not samara weaving
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